Ran Arthur Braun

Ran Arthur Braun

Represented by

Adam Maskell


Stage Director and Action Designer who specialises in live Stunt Coordination, Fight Choreography & Aerial Direction, with great demand all across Europe. Winning the 2011 Estonian Theatre and Music Award, as Director of the year. Winning the Polish Music and Theatre Award for best Design in 2014 and as Director of the Year in 2015. His Production are known for it's imaginative physical language. He Collaborates regularly with leading Stage Directors and Companies around the World.

Ran initially trained as a singer at the Piano and Classical Singing class at the Jerusalem Academy of Music and Dance before studying stage direction at the La Monnaie Opera Studio. With an old-school understanding of dramatic storytelling, cutting edge modern eye for movement and technology and with over 100 work credits, including a 14  years working relationship with the Bregenz Festival and recent work for Salzburg Festival, The Royal Opera House, London, Stuttgart Oper, The Croatian National Ballet, Komische Oper Berlin, The Royal Opera House, in Copenhagen, The Polish National Opera, the Poznan grand Theatre, Welsh National Opera, and the Dutch National Opera among many more.

Future work includes collaborations with Festivals and opera houses in London, Dresden, Amsterdam, Valencia , Berlin,  Leipzig, Copenhagen, Chemintz, Tallinn and Bregenz 

Ran has recently joined dimitri Tchernyakov's team as  an artistic collaborator for Movement.. Recent productions includes Prince Igor at the Netherlands Opera (Co-Production with the New York Met) , Snow Maiden at the Paris Opera, Carmen at Aix en Provence. In Summer 2017 he worked for Armstrong Music on the Chinese tour of San Francisco Opera's Dream of the Red Chamber in Beijing, Changsha and Wuhan.In early Autumn he will Movement & Action Design Korean National Opera's Rigoletto in Seoul.


The Guardian

The flying works splendidly.

The Public Review

Flying ballet expertly choreographed and executed under the direction of Ran Arthur Braun.


Morris' brilliance in his flying harness, as he swooped across the bedroom, walked up the walls and somersaulted in the night sky was a high point of the show. Ran Arthur Braun directed both flight and fight, and did a wonderful job.

 The Sunday Times

Lots and lots of flying. You barely see the wires attached to Peter and his new friends as they swoop through the air. It is almost as good, I felt, as the film of Mary Poppins. The aerial and flight director, Ran Arthur Braun, had almost as much on his plate [as the conductor].

 The Times

Heart-stopping aerial work

Die Zauberflöte 2013 - Stunt Riggers Mash up
Fire Stunt - This Girl is on Fire - Bregenz Festival - Magic Flute 2014
Magic Flute - Bregenz Festival 2013 - Stunt Performer's Point of View
Sword Play - Turandot - Bregenz Festival 2015/2016
Fire artist POV - Wield the FIRE SWORD, Turandot 2016
Fire Swords - Isky Fay Prepares for Turandot 2016 - Bregenz
AIDA from Bregenz Festival
Martial Arcrobatic Stunt Team - Turandot 2015
Slow Motion - Fire Juggling: Bregenz Festival 2015
Lohengrin - Royal Opera House, Copenhagen: Battle Sequence
fight scene - editor: james novak
Macbeth - Trailer : Royal Opera House, Copenhagen 2013
Hieroglyph of the Sword
fight scene - editor: james novak
GOLDEN TWENTIES - Koncert Sylwestrowy / Bal w Operze 2014
Balet Petar Pan - HNK Zagreb (najava)
Künstlereingang Folge 4 | Ein bewegtes Leben
Peter Pan | Flight School Film
Turandot - Bregenz Festival 2015 : Fight Scene
Fighting, armour, and Amore in Madrigals
Monteverdi’s Madrigals by Dutch National Opera
Carmen - Bregenz Festival - Finale Act 4 - The Drowning Scene
Otello - Fight Rehearsal - Royal Opera House

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